A Clash of Kings is the second book in George R.R. Martin’s landmark epic fantasy series A Song of Ice and Fire. My review of the first book, A Game of Thrones, can be found here. This book continues straight from where the first book left off, and details the war that ravages through Westeros, at the same time as the long summer is slowly but surely ending.
In my review of the first book, I particularly praised Martin’s beautiful prose and his superb characterisations. Both of those elements remain as good here, as they were in the first book. In this book, I particularly noticed the excellence of each of the point of view characters’ character arcs. Each character has their own, very clear, character arc, that the whole of their narrative revolves around. For instance, Jon Snow’s character arc revolves around the theme of keeping to your oaths, and his narrative revolves around his oaths being tested, and his reactions to those tests. Moreover, each of the character arcs rises to a highly satisfying climax, which leave the characters completely changed, and make you eagerly await to read the next instalment in the series.
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As someone who spends a lot of time reading books, I also spend a lot of time thinking about how I read. In today’s world, that thinking is dominated by the question of format; should I be going with print, ebook, or audio? It’s not a question that I have an easy answer for.
I should first make it clear, however, that I don’t think that there is an objectively superior format. I think all formats have their own advantages, and I don’t really care what format other people use (as long as they do use some format!).
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Behind the Lines is the first book in a sequel trilogy to indie military science fiction author Chris Fox’s Void Wraith trilogy. In this book, the new Coalition of the three races featured in the Void Wraith trilogy attempt to find the rest of the Gorthians (the main enemy of the previous trilogy). In doing so, Nolan and his crew stumble upon a new hostile race, and become stranded on one of their planets. The book details their attempt to survive and escape.
I was hesitant to pick this book up, because I had greatly enjoyed the first book of Chris Fox’s previous trilogy (review here), but hadn’t enjoyed the other two books (review here). It was impossible to know where this book would fall between those extremes, so I hesitated; in the end, it was the curiosity to know where this book lay between those two extremes that made me pick this book up.
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The City & the City is a standalone novel from China Miéville, which is set in the twin cities of Beszel and Ul Qoma, which exist within the same space. This is not in any supernatural sense: certain streets are completely in just one city, while other streets are partially in both. Sometimes, one floor of a building exists in a different city from the floor above it. Nothing about it goes from realm of the possible to the impossible. In this setting, the novel focuses on Inspector Tyador Borlú of the Extreme Crime Squad as he attempts to solve the murder of a mysterious woman.
It is quite difficult to pin down this novel’s genre. Of course, it’s clear that plot-wise it is a police procedural, but what the genre is setting-wise is much harder question. On the one hand, the setting seems to be constructed much like fantastic secondary worlds, but on the other hand, the twin cities of Beszel and Ul Qoma seem to exist in a very realistic version of our Europe. Furthermore, that Beszel and Ul Qoma exist within the same geographical space seems absurd to the point of fantastic, yet the narrative clearly establishes its non-magical nature. Thus, if the narrative is a fantastic one (like virtually all of Miéville’s other works), it is hard to say where the fantastic lies. One might even be tempted to try and find it in the mysterious historical artefacts from the pre-Cleavage time excavated within the story, but even there, the stories about their magical nature never seem to go beyond being mere conspiracy theories. It is a very disconcerting effect; I feel convinced that the novel is fantasy, but I can’t point to any evidence for that. But maybe that feeling is what the term New Weird is used to signify.
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