A Game of Thrones is the first book in George R.R. Martin’s epic fantasy series A Song of Ice and Fire, telling an epic story set (mostly) in the land of Westeros, where summers and winters can take anywhere from years to decades. But, at this point, with the popularity of the TV show based on this series, this novel really doesn’t need any further introduction, does it?
This is not the first time that I have read this novel. I read the first four books about a year before the TV show came out, and while I got the hardcover of the fifth book immediately when it was released, I never got around to reading it. Recently, I got a sudden yearning to be immersed in Westeros again, so I decided to re-read the first four books before starting the fifth one. Re-reading a novel, and this one in particular, always gives you a different perspective on the novel, so this review will be based on my memories of when I first read the book, as well as the further insights I gained through this re-read.
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Elantris is a (mostly) standalone piece of epic fantasy by Brandon Sanderson. In the book, Elantris, once a city of wonder and magic, has fallen into decay, and those people who become Elantrians are locked up in Elantris and considered dead. The novel tells the story of three interconnected people living in this world: Raoden (a recent Elantrian), Sarene (Raoden’s wife-to-be and now widower), and Hrathen (a missionary of the Shu Dereth religion attempting to convert Sarene’s city).
Despite this being the first work of epic fantasy that Sanderson published, this is not the first such novel that I have read from from him. Having that perspective on this novel, then, I can’t help but notice that this being his first novel is clear from the book itself. This is not to say that the book is bad (in fact, it’s a really great book), but just that almost everything that Sanderson does well here, he does better in his later works.
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A Natural History of Dragons: A Memoir by Lady Trent is the first book, published in 2013, in a series of Lady Trent’s memoirs written by Marie Brennan. In this book Lady Trent, a preeminent dragon naturalist, sets out to begin writing her memoirs, beginning with her early life and her first expedition to study dragons.
I will begin with what I absolutely love about this book: I find the perspective it takes on dragons (a scientist attempting to study how they work) to be absolutely fascinating, and not one that I have ever read before. In fact, my decision to read this book was based purely on how good this premise seemed, and I was very glad to see that the premise is realised very well in the book itself. The narrative focuses enough on dragon biology and the relevant jargon to be fascinating and believable, but not so much that it would bog down the story.
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Steelheart, published in 2013, is the first book in Brandon Sanderson’s The Reckoners trilogy of young adult fantasy books. It tells the story of a near-future United States, where the presence of an unidentified orbiting object has given random people superhero-like powers; these people have become known as Epics. The protagonist of the novel, David, seeks to join a resistance movement in order to exact revenge on the Epic that orphaned him.
This novel is one example of what Sanderson calls his ‘burger and fries novels’, as opposed to his ‘steak dinner’ novels. This categorisation makes sense; in contrast to his epic fantasy works, which feature extensive worldbuilding, sprawling plots, and multiple points of view, this novel features more limited worldbuilding (being set in the near-future), a more streamlined plot, and just one point of view character. Beyond these elements, however, the novel is unmistakably Sandersonian. The novel thus provides a Sandersonian reading experience without requiring as much of the reader as Sanderson’s other works do.
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The Lord of the Rings, first published in three parts between 1954 and 1955. There is no bigger classic within the fantasy genre, nor a text that has been more influential. The Lord of the Rings defined modern fantasy. As such, there isn’t much that can be said about the text that hasn’t already been said. I will, nevertheless, say what I can about it, and say what the text is for me, and what it means to me.
I got into The Lord of the Rings quite late, reading it completely for the first time just a couple years ago. I’d read and loved The Hobbit many years before that, and I had attempted to start reading The Lord of the Rings then, but I actually just couldn’t get into it. I think that that’s mostly because the tone of The Lord of the Rings is drastically different from the tone of The Hobbit: The Hobbit is written as a children’s fantasy, whereas The Lord of the Rings, though it is a rather direct sequel to The Hobbit, is written as a more serious and dark fantastic history. Each tone works well for that specific book and what each one attempts to achieve, but the difference between them was too much for me after I had just read The Hobbit. For any readers of The Hobbit who are looking into getting into The Lord of the Rings, I hope you keep that difference in tone in mind.
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